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Domin to Fontane (and YES, Rotterdam he sneaked himself in because he's like that)



Hilde Domin - Abel steh auf



Marie von Ebner-Eschenbach - Das Gemeindekind



Theodor Fontane - Effi Briest



sneaky and Erasmus of Rotterdam - The Praise of Folly

Seborrhea Foods To Stay Away From

felixharrowgate @ 2008-12-16T18: 50:00

Title: The Broken Jug
Author: Heinrich von Kleist
Language: German
Genre: Drama
genre: comedy
of creation: 1806
era: not classic, not romance, and yet ...


12 performances / scenes

first Appearance: village judge Adam is to be light scribe finds him in a pitiful state. Adam evasive answers to questions about his mental state and his wig. Light informed that the Judiciary would come today to the revision after Huisum.
second Appearance: Chaos at the judge. Sends a maid to borrow a wig.
third Appearance: Adam tells light of his prophetic dream.
4th Appearance: Judiciary has arrived. Covers first on that Adam can donate in their own pockets.
5th Appearance: Walter noticed the poor condition in which there is Adam (injuries, lack of wig - the girl was able to procure a replacement).
6th Appearance: A shadow has gathered. Mrs. Martha accuses Ruprecht, having broken her pitcher. Rupert denies. Ruprecht and Eve are in conflict with each other.
7th Appearance: Adam enters. Whispering to Eve. The trial begins. Adam is very much inclined to blame Ruprecht all the blame on, Walter soon draws suspicion. We learn of the unknown in Eve's Second Chamber. Rupert's throw from the door handle and that this was true.
8th Appearance: - hardly act -
9th Appearance: Eve comes in gets more and more distress, they all want out of it, has seen only as the unknown Second, draw out his identity. From all sides they will be interrupted until the mother finally gets the idea to let Mrs Brigitte call as a witness.
10th Appearance: short interruption of the trial. Food is procured. Walter Adam asks specifically from the course after his injury.
11th Appearance: Ms. Brigitte appeared on the wig. She has found in the bush under Eves window. Adam Ruprecht accused them of having lost there, rather than as ordered by him to bring to the wig maker. Rupert denies. Brigitte finally describes the unknown Second: bald, with a cloven hoof and stinking. Adam increases easier on the fairy tale one, Walter can not be fobbed off with it. He further asks. Brigitte says she finally turns in the trail horse's foot and was followed home and directly to the judge she would have done. Adam is the thing too hot, he is again the fact that Rupert was the culprit. (Lamprecht, he would have accused was happy, even at the time and certainly not in the village, but was breufen after Utrecht.) Finally, Eve but before the cat out of the bag and charged with all Judge Adam. Everything is a bit chaotic.
12th Appearance: Eve and Ruprecht speak out shortly. blackmailed Eve tells the story of conscription for Rurpecht with Adam it. Walter discovers the forgery, makes light of the village judge.
last appearance: Mrs. Martha wants to go to Utrecht, after her village in her pitcher has been no Gerechtikgeit come.


Quotes:

Walter: From your performance, your honor Adam, / I do not know what to think. If you had destroyed itself / the pitcher, you might / Of you Hinwälzen from suspect not eager / to the young man, than now. (The Broken Jug, 2001, p.36)

Brigitte: Since I now return from Vorwerk, / At the time of midnight about, and just, / The Linde course, am at Martha's garden, / you scurrying past me at a guy, bald, / With a cloven hoof, and behind him / Erstinkt's like steam from bad luck and hair, and sulfur. / I'm going to an Evil One, and turn / horror full around me, and I see, my soul, / The Glatz, gentlemen, in the disappearance still shine through / How rotten wood, the lime course . (The Broken Jug, 2001, p.67)

Not much to say. Witty is mainly the scenes where the characters talk past one another and of course involves the character of the village judge Adam Comedy in itself. He is an old corrupt Depp, a young girl nachsteigt and injured in mehrvacher ways and finally all the ridiculous and makes the bargain must give up his office.

Freeones Danielle Laws

felixharrowgate @ 2008-12-08T02: 11:00

title: The do-gooders
Author: Thomas Bernhard
Language: German
Genre: Drama
Genre: "Comedy"
of creation: 1979
period: - -

5 Scenes .

- all filled mainly by the monologue of the world a better place. It is not always clear and probably not important whether he speaks to his wife with no name and is also in the whole piece never called by any name. It is only a woman any woman, the type of woman and the woman holding the world a better place if he has also never married. He is bossy, moody, egocentric, ill or sickly. It is the day on which he is to receive an honorary doctorate. A dr. hc. So. At his request, this does not happen at the university but at his home. It protects against the disease-related weakness, it is likely that his misanthropy and his boundless self-will have their rise to that desire.

The first 4 scenes be covered by the do-gooders and his wife, who he sends to and fro. the silent and mostly does what is commanded you, if not always immediately. Slowly opened the reader why is the do-gooders, do-gooders - he wrote a treatise by is what should be done to the world as it is to make a better place to be able to. No one - so the views of the world a better place - in the sense of this treatise, nevertheless it has attracted attention all over the world, was translated into many languages and it has been the trigger for the collection of the world a better place to Dr. hc. The woman running repeatedly between the living room and another room (not belonging to the stage area) back and forth. Constant monologue of do-gooders. Comedy produced by the permanent break between his serious speeches, his misanthropy and his contempt and his sudden appearance of physical ailments and infirmities, and of what he would like to eat today. Sometimes it is too cold, too stuffy. And keep coming back, the woman and sent him everything he wants it, and he contradicts himself often, imperious, then his harsh words back takes.

In the 5th Finally, connect the scene Rector, the dean, the professor and the mayor on. He received his diploma, monologue continued unmoved. The guests go. There is a sequel. The reformers concluded with the words: "My pasta / bored / Now I want to eat the noodles."

Quotes:

"gooder: See the map / D woman he gives him the card / gooders reads the card and gives it her back / I hate flowers / also Chancellor flowers / The woman waters the roses a / I'm going to the Lords / Say you see these gentlemen roses / the Registrar / What do you say / We must not forget / these people to keep only the shortest time / If they have set themselves / and if it is safest / feel they are already / fallen under the table / The Chancellor has not said a word of truth / History digested all these people / The greatest monster / the greatest atrocities / has History already digested / History has a good chopped, stomach / whispers / Perhaps Pastry / With a little ham / "( pieces 3 2006 p.153) (emphasis by me -. Although syntactically the "talk is based on the Chancellor can not escape the thought that watered roses" only the shortest time [hold] a semantic game?)

"Twenty years / we play this game / it disgusts me before / but I want to play there / With you / because I am with anyone / loathe so much" ( Stü ; Bridge 3 2006 p.157)

"The world is a sewer / from which an approaching it stinks / This sewer is cleared / That is also the contents of my treatise / But if we totally eliminate the sewer / she is empty "( pieces 3 1988 p.166) (emphasis by me -. Again with the play of semantics of "content" which related to syntatkischer level on the treatise -> can also think of the contents of the cloaca, which is to be "cleared")

"This Geschmacksungeschicklichkeit (. pieces 3 2006 p.172)

It is likely that the name "of the do-gooders" and also its character as allusions to the main character from Raymond's "King of the Alps and human enemy" can be interpreted. As the further helps in the interpretation of the play, I'm still unclear. It is Bernard left in any case in a tradition and that in the Viennese comedy. A parallel here that imposes and perhaps also could be hermeneutic in continued, is the Vienna that both in comedy and in Bernard's pieces, we are dealing only with rare characters who are psychologically motivated act. Rather, it is both theatrical forms Types, figures indicate that not a living, natural inner life can be said. An artificial distinguishes the figures, both in their actions - often automated and mechanical work - and in their speech and reaction, or rather DO NOT react to the surrounding characters, with whom they come, always in interaction, but With all the great monologue wealth of language, or rather voice waste - have nothing to say to each other. When Bernard is this inability to do this or not do, or the inability to understand or rather never understood the attempt made to or / can / should accessible to an absolute often in death (murder or suicide) ending barren model also. When it comes to the Viennese comedy as unmotivated classic comedy circuit. All are reconciled - more or less randomly, because it is the comedy so will - and it is married.

furthermore there is a band of Herman Hesse of the title "The do-gooders" with. Know the text does not, unfortunately.

noticed: the stethoscope, the mice / rats, mouse trap, Switzerland - the place of humiliation, hate do-gooders, Switzerland

Phrases To Express Failure

felixharrowgate @ 2008-11-17T01: 06:00

Title: Amphitruo
Author: Plautus
Language: Latin / German
Genre: Drama
Genre: tragicomedy
birth year: about 190 BC
Era: The fabric comes from

: pre-classical period

action ancient mythology. The legend of Amphitryon is taken up and it's the part as Zeus in the form of Amphitryon decides to amuse themselves with his wife, Alcmene. The fabric is originally tragic nature, also addressed the question of guilt, whether it is guilt, if you commit a crime without knowing it, that you are about to commit it. In the play

of Plautus, the forecast somewhat different. Zeus, Jupiter is here, while his son Hermes, who is to help him keep all at bay, while he is talking in a prolonged night by his divine will with the beautiful Alcmene . Hermes also slipped this in a different form, namely that of a servant (sosia) of Amphitryon, Amphitruo here. While the two originals have yet to return home from the war won. Like in a real comedy of errors take all deferred to each other and also the originals and the copies not be spared another. After much back and forth and forth and even Zeus replaced in its grace but the likelihood of the game on and the couple reconciled again.

Alcmene was pregnant - now from both her husband and the father of the gods - and finally gives birth to twins, with one son of Zeus and indeed a quite famous, namely Hercules. The other, Iphicles, is the son of the mortal Amphitruo.


personal approach:

The text me as surprisingly exhilarated. The translation is sometimes very rough and brutal (For example, the scenes between the true servant of the Amphitruo and in the transformed him Hermes, the scenes between the disguised Hermes and the real Amphitruo in their rudeness shown to their very amusing). Surprisingly, it is one of the few Verwechslüngskomödien where I was not mad before frustration over a thousand misconceptions to the contrary. Especially the questions and theories and the analysis about which sosia to prove hard to ensure that he was actually he himself is very belachenswert.
all in all, the tragicomedy has also reminds strongly of the types of the commedia dell'arte. The horny old goat = Zeus, a seemingly goofy term Servant who is not as stupid as it first appears = sosia, and the eternal theme of the paramour of several men over a woman;


the translation on the way, is a thousand times zeno.org wing regularly and funnier than that of the bilingual Reclam edition, which in fact is boring.